Steve’s Poetry Tips – Revision

Hey everyone,

I felt like writing a brief poetry tip for this Thursday, so here you go.

If there’s anything I learned from my experiences working on my Honors Thesis this past semester, it’s been to place more emphasis on revising my poems.  The most difficult part of revision, for me, has always been the sitting down and looking at what needs work.  Once I’m sitting, I can usually get at least some small modicum of work accomplished, but getting myself to approach that area and start work is difficult.  That’s why I have a few small pieces of advice to share to those interested.

First, create a space for your revision to take place.  This doesn’t necessarily have to be a “created” space mind you.  This could be a coffee shop, a library, the kitchen table, a park bench, or (as it is for me) a clean desk.

Second, have all your writing accessible to you.  For me, I have a handy filing bin with all my poems, fiction stories, plays, and even academic research papers sitting right next to my desk.  I suggest having them all printed out and in front of you for a few reasons:

1. It’s easier to revise something on paper.  I’ve never felt differently about that, even with the advent of tablet technology.
2. If you get stuck or can’t think of the line you really want in a poem, sometimes it’s good to just move along onto another poem and come back to it.  I will sometimes just sit and read through several random poems until something jumps out at me or I’m struck with how terrible the draft is and feel like I have to fix it.
3. I don’t know about you, but sometimes it just feels good to physically see how many poems I’ve been working on.  Helps to stop feeling discouraged when a poem just isn’t coming along well or fast enough.

Finally, the last bit of advice I have to share is to give yourself a set time of day (every day if you can manage) to sit down and revise.  To help with this, I suggest setting an alarm.  I’ve had an alarm set for 10:00 am every day for the past couple months and it really does help to keep the practice in mind, while also adding a sense of guilt when I decide I don’t have time to revise on that day.

As a brief disclaimer I feel I should say that no one I’ve ever heard from has ever really revised in the same exact manner.  I know some poets that revise when they feel that “inner inspiration” that tells them exactly what to do.  In my writing this epiphany rarely if ever happens, so I started using the methods I outlined above.

Hope you all have a wonderful end to the week,

Stephen Recker

p.s.  It’s also a nice practice to have a favorite book or two on the craft of poetry around.  I have quite a few that I turn to, but the two that stand out would be Writing the Australian Crawl and The Poet’s Companion.  Both have great words of wisdom on poetry and the latter also contains exercises that help produce material as well.

Related articles

• Steve’s Poetry Tips – Linebreaks (combatsteve.wordpress.com)
• Tips for Creating Poetry (personalwritingnotes.wordpress.com)
• The Difficulty of Writing Poetry Whilst Revising (consciencenonsense.wordpress.com)
• All About Me – An Introduction to Poetry (mrswirtanen.wordpress.com)

Steve’s Poetry Tips – Linebreaks

If you’re anything like me when writing a poem, or revising for that matter, linebreaks are something that have either too much or too little thought put into them. For me, at least in early drafts of a poem, I put little to no thought into these breaks. This can have drastic impacts both on how your poem is read aloud and how it is interpreted.

When I was first beginning to write poems, the points at which I broke lines for my poems were either entirely arbitrary or to help the stanza have a uniformity of shape. As a result, when workshopping my poems in the past, a common critique was a lack of understanding why the lines were broken as they were.

Lately though, I’ve been working towards putting more thought into when and how lines are broken in my poems. I figured I would share how I’m making these decisions with you today.

But first, I want to share a  picture from my recent adventures… a trip to a local spring to enjoy the hot weather and swim (A 3.5 mile walk in the sun to the spring makes the dip in the cold water that much better):

Anyway, when first writing a draft of a poem I think it’s important not to worry about linebreaks at all.  Let the lines end wherever they end.  If that’s before the end of a page so be it; if it ends because you ran out of space that’s fine too.  You don’t need to be worrying over such minutiae in an initial draft.  All that’ll do is make you over think your poem, and I don’t think there is a worse thing to do when working on a first draft.  If you couldn’t tell from the context of that tip, yes I tend to handwrite my first drafts of poetry.  This is a personal preference though, so don’t feel that it necessarily applies to you.

It’s during the initial revision of the poem that I have started using a new method to help focus more deliberately on linebreaks.  When typing the poem into a wordprocessor, I write the poem in prose.  That’s right, no linebreaks whatsoever.  Then, after finishing the revision, I go through the poem (usually without looking back at the original draft to avoid effecting what linebreaks seem necessary) and insert linebreaks where the poem seems to “want” to be broken.  Poems do, in my opinion, take on a life of their own once they are put down on paper.  You have to be willing to allow it to go where it will and end lines where it feels right.

This process of writing the poem in prose really works well to push focus towards deliberate use of linebreaks, and I’ve been using it for every draft of my most recent poems, especially when making drastic revisions.

I hope this was some help to you all, I know it’s really strengthened my poems of late.

Till the next post take care,

Stephen

P.S. If you didn’t notice, I decided to rename the blog to “Real Poetry” for now.  I’ve been considering a new title for awhile, and this seems to better fit where I want this blog to head.